This book is the first English language study of Armenian cinema. It is divided into twelve chapters, followed by an appendix on animation.

Chapter 1 explores the birth of cinema in Armenia in 1899 with a screening in Yerevan and provides the setting for the following survey. Chapter 2 is dedicated to the founder of the Armenian cinema, Hamo Beknazaryan, whose work represents an entire era not only of Armenian but also in Soviet cinema, since his name stands alongside those of Eisenstein, Pudovkin, Dovzhenko, and other great filmmakers. Chapter 3 concerns other works created during the silent period in Armenia. Chapter 4 discusses the processes of Armenian cinema in the Stalin era, broadly covering the period from 1930 to 1959. New filmmakers appeared on the stage during those years. The role of the short film genre is mentioned, as well as films that were shelved by Soviet censorship. Chapter 5 analyzes the most significant films for the subsequent rise of Armenian cinema as well as musical films. Chapters 6 and 7 are devoted to prominent filmakers, Sergei Parajanov and Artavazd Peleshyan, subjecting their works to theoretical and morphological analyses.